Showing posts with label Ruthie Sommers. Show all posts
Showing posts with label Ruthie Sommers. Show all posts

Tuesday, 5 April 2011

The Elephant in the Room


It's no secret that elephants are an incredibly popular motif in interior design right now. From paperweights to side tables, they're popping up just about everywhere. My favorite iteration so far though has to be this chic console table, shown above in classic white and below in cherry red. It's safari-chic but all glammed up in slick lacquer. 



You can snag one for yourself from Circa Who on 1stDibs. If you're looking for a less expensive way to bring an elephant home with you, here are a few other great options:


Source list (clockwise, from top left): (1) Hook, Anthropologie; (2) Cast-Metal Elephant, West Elm; (3) Bottle Stopper, ZGallerie; (4) Bookshelf, DwellStudio; (5) Blue Elephant, Pieces; (6) Stationery, Iomoi; (7) Tape Dispenser, Iomoi; (8) Side Table, Revival Home & Garden; (9) Silk-Screen Print, Serena & Lily; (10) Salt & Pepper Shakers, Jonathan Adler; and (11) Pillow, John Robshaw.

Thursday, 7 October 2010

Little Girls' Bedrooms


Of course the past few weeks I've been busy collecting inspiration photos of children's rooms. So I thought I might go ahead and post a round-up of some of my favorite rooms: first girls' and then boys' (which, I'll admit, where a lot harder to find!). [Aside: And no, I still don't know what I'm having, but I should when I go to the doctor next on the 20th!] This first room from Natasha Baradaran (whom I only recently discovered but very much love) is a great way to kick this post off. I love the melon and yellow color scheme -- and that butterfly fabric is pretty dynamite. Overall, this is a kid's room that doesn't feel particularly kiddish, but also doesn't feel too adult. It's that delicate balance that I think is so difficult...and that I'd argue all these rooms have in common.


Another Natasha Baradaran room, this time in a lovely lilac and sage. The palette is very soothing and feels a bit Provencal to me. I love how natural this room feels, too, with the nubby natural headboard and very clean and simply white fabric draped around the bed. 

Jeff Andrews

I just realized this is the only nursery I've featured on this roundup -- but frankly in many of these rooms you could just swap out a bed for a crib and pretty much be there, yes? In any case, I love how there are two gliders in this room. Perfect for your spouse or friend to keep you company while you nurse. I also love how the shaggy green rug looks almost like turf -- it brings a naturalness to the room that's a great counterpoint to all that pink and yellow. My only complaint? Those yellow sheers! They just look dirty to me.


I'll admit I'm a bit jealous of that girl -- her bedroom is pretty darn fabulous! The headboard is sophisticated and neutral, a piece that could easily see her well into her adult life. The large-scale square and circle print doesn't feel overwhelming thanks to heavy doses of white (and keeping the wallpaper to just one feature wall). Oh yeah, and at her age I would've killed to "play" on a pink guitar!


This room is a personal favorite of mine (in fact, I posted on it at length HERE). The colors, the prints, the furniture...it's just all so fun and funky! The wallpaper is particularly fabulous, especially with the pink ceiling and gold crown molding. Fit for a princess, indeed.


A second example of how to use this great, graphic print, this time used more sparingly in just the drapes. I think though my favorite element in here is the daybed-cum-hammock. What a great spot for daydreaming, reading and gossiping!


I include this room primarily because I am completely in love with that headboard. Note how the greek key motif is again picked up on the carpeting.


This room sure made the rounds in the design blogosphere a few months ago, but it's too great not to include in this roundup. I love how the bed/bookshelves combo are completely built-in. It's a tremendous use of a very small space. The pops of pink and turquoise make a big impact and I love the sophisticated use of a chinoiserie; it's pretty and feminine, but not babyish.


As a little girl I had a strong affinity for Impressionist art, especially anything by Claude Monet. And there's something about this room that reminds me of him. The soft colors and prints almost bleed into each other, creating a soothing, pretty picture. I also love the flatweave striped rug -- a brilliant choice in any kids' room for hiding all manner of sins.

Sally Markham via House Beautiful

As a woman who doesn't consider herself overtly girly, I can definitely appreciate a girl's room that doesn't have an ounce of pink in sight, but still strikes a decidedly feminine note. The turquoise, chocolate brown and white combination is exceedingly popular -- you need only look at PB Teen to see that, but I really love how Sally brought in hits of chartreuse to bring an extra dimension and real jolt of novelty to the space. Note how the spotted print on the floor cushion brings the entire color palette together. Sometimes an inspiration print doesn't have to be the dominant print to be the spring board for the entire look.

P.S. - Those bedlinens are purportedly by Kate Spade? When did Kate get into linens? Is she still doing them?


Did y'all catch the first season of Nine by Design on Bravo last winter? While I'm not wholly in love with most of the Sixx Design portfolio, after catching that show I am now very much in love with the darling family behind Sixx Design. Of the few rooms of theirs that I do love, their twin daughters' bedroom has to be near the top. Perhaps it's that dreamy antique bed or the giant art installation of fake flowers behind plexi-glass, but there's just something so joyous, feminine and yet very clear and modern about this space. It's a great dichotomy that makes for a very refreshing girl's bedroom.

And finally, what roundup of little girls' rooms would be complete without a collection of fantastic canopied daybeds?


A great modern approach with a sharply tailored canopy and graphic geometric print.


Ruthie Sommers goes the more traditional route with lots and LOTS of pink. The blue and white porcelain table lamp is a great touch and really helps to break up the monochromatic room.


Perhaps my favorite version of this look -- the floral print has a great color palette and a more graphic, whimsical touch. Love how the inside is lined in a solid -- it really helps break up all the pattern.


I love purple in a girls' room and the touch of zebra in the canopy lining brings a more grown-up look that's perfect for a preteen or teen.

Monday, 17 May 2010

Sweet Dreams are made of these....


In the spring of 1987, when I was in first grade, my parents moved from inner Houston to its suburbs. Once we settled in, one of the first rooms my mother decorated (with the help of a designer from Ethan Allen, if I recall correctly) was my bedroom. At the tender age of 7, I was allowed to select the basic design elements for my bedroom -- and I remember feeling so very grown-up throughout the process. My color palette? Pink and white, of course! Pink splashed across wallpaper, balloon draperies, bedding and, of course, my very own crown canopy (or coronet), which transformed my antiqued white iron bed into a gloriously feminine, over-the-top confection of pink and white flowers, balloons and stripes (for contrast, natch). While the bedroom didn't exactly see me through childhood, it did last me nearly a decade when, at the age of 16, I finally managed to convince my mom to let me redecorate the room to make it a tad more adult.

Alas, I can't manage to come up with a good photograph of my childhood room, but this collection of perfectly girlie, perfectly pink rooms illustrates the timelessness (and the whimsy) of princess bedrooms for little girls. And, while I can't say that I'd want this look for my own bedroom, there's a part of me that still loves the over-the-top femininity of coronets and lots and lots of pink.



I love the shape of the canopy on this one -- and how it hangs so crisply from the ceiling. Adding molding around the canopy is a great, inexpensive way to add structure to the canopy (loose, flowing canopies have a more casual, island feel). Using a single, bold pattern on walls and upholstery is a classic choice for a bedroom. Sure, it's a very "decorated" look, but it's a guaranteed way to make a statement. Note too how Katie used the print as a contrast welt on the side chair. Brilliant.

Coral and sage green, especially when grounded by hits of black, is a decidedly more grown-up color palette. The mix of florals and traditional monograms with the more exotic ikat and suzani prints ups the sophistication further.

It can be difficult to find a daybed that looks and acts more like a true sofa, but this one's cozy cozy arms really makes this guest bedroom look more like a lounge comfy lounge (which is ideal for the vast majority of us who have only infrequent overnight guests). My favorite touch is the brass nailhead trim, which overlays a slate blue ribbon that coordinates with the wallpaper and primary fabric.

There's a lot here that I love: a classic toile print, an upholstered headboard with a contrast welt, an oversized monogram, blue and white porcelain, and a scalloped pelmet box window treatment. In fact, now that I think about it, it's darn near perfect.

This is precisely the room I would have asked for at the age of 8 if I'd had the budget (and vocabulary) to employ Ruthie Sommers. China Seas' Lyford print on the chair and pillow is a great choice that won't date and will work equally well in a guest room when your little one flies the nest.

There's a lot about this room that's incredibly traditional: the toile, the draperies, the antique daybed, the rug. And yet the orange upholstered chairs and loveseat, despite their shapes, are incredibly modern. It's this dichotomy that makes the room interesting.

In many ways, this rooms feels much more traditional than what I'm seeing from Adler. Maybe it's the gingham print or the antique armoire (albeit painted a vivid yellow). Nevertheless, the lime green lining on the interior of the canopy feels exactly like something the purveyor of Happy Chic would come up with. Yellow and lime green, while still joyful and child-like, ensure that the pink is way more hip than sweet.


This is a great mid century modern twist on a classic canopy. To create a similar, stream-lined look, keep the shape of the canopy rectangular (no fancy scalloping needed) and the print geometric and colorful. Note too how the wall behind the daybed is not swathed in fabric this time and the lining of the fabric coordinates rather than contrasts with the primary print.


Not all little girl's rooms have to be pink. In fact, I'd bet just as many girls list purple as their favorite color as those who call pink their signature. I love how Tobi added the black trim and zebra fabric to ground the space and ensure that it will be just as possible when the Little Princess turns 16 as when she turns 6.

Gwyneth Paltrow's Hamptons' home via Habitually Chic

This room confirms my suspicions that being the daughter of an A-list movie star and a mega-rock star comes with some serious perks. Apple Martin is one seriously lucky little girl to have such a chic bed at the tender age of 6. I particularly appreciate that the pink is very saturated and the contrasting white and yellow zig zags. The monogrammed pillows, in hot pink and a more streamlined font, remind me of something you'd like up at Jonathan Adler. While I think the white walls and white floors is a wee bit sterile, I do like the high contrast between the bed and the rest of the space. If this were a room in my house though, I'd warm the floors up with a flokati or sea grass rug (maybe change it out for the seasons?) to add some warmth and texture.

So what about you? Did you have a canopy or coronet in your childhood room? Do you have one now -- or do you think this look is for kids only?

Tuesday, 11 May 2010

My Lighting Obsession Continues...

I've got a small confession to make: I can't stop obsessing over lighting. You would not believe the time I've spent in the past few months e-browsing online lighting meccas like Circa Lighting,Shades of Light and Urban Electric and large home decor retailers with extensive lighting departments like Horchow and Clayton Gray Home. I simply can't get enough. And the biggest problem? With the exception of replacing the ho-hum bedside lamps in the master bedroom (which I have no business buying until I've got a clear vision for the room), I really don't need any more lamps.

So I continue to browse. And obsess. Last week I shared with you some of my favorite turquoise lamps (and interiors featuring said lamps). Today, I thought I'd relieve some of my pent-up lamp tension by sharing my favorite blue and white lamps. A more classic alternative to turquoise, blue and white lamps are right on trend with the resurgence in Chinoiserie. They can bring a bit of sophistication and a dose of traditionalism to a cottage interior, as they do in the bedroom designed by Kim Coleman shown above. Think of these as functional blue and white porcelain. These can go absolutely anywhere.


I'll readily admit that this lamp is not traditional blue and white porcelain, but it is blue and white and I love it and it's my roundup.... Anyway, I do think this monogrammed lamp would be a fairly easy DIY. You could mod-podge (or simply glue) a swatch of monogrammed fabric to a basic column lamp or just stencil a monogram directly to a lamp. Another great detail in this shot is the amazing light blue ribbon trim with the nail head detailing. Such a wonderful way to incorporate the lighter blue into the bed itself.


If you were naming a handful of designers who were instrumental in bringing back wallpaper, Meg Braff would no doubt be top of the list. I love how she's used Bob Collins & Sons' Chinese Lattice wallpaper in this den. She kept patterns on fabric to a minimum here, relying on the large scale pattern of the paper to carry the room. Smaller scale pattern is introduced only in the accessories, like in that gorgeous lamp on the desk. Despite her willingness to go with such a big pattern on the walls, I'd argue that the bravest thing Meg did in this room is hanging the art in front of the windows. That definitely takes a lot of guts -- and I think the risk paid off here as I think it gives context to the desk (floating desks in front of windows often looks a bit awkward to me). What do you think?

If an all-blue and white room isn't your thing, never fear. A blue and white porcelain lamp is an absolute "wow" against chocolate brown walls. The cool tones are the perfect antidote to the warmth of dark woods and rich browns.


The lone spot of blue in a sea of pinks, this blue and white lamp adds a big, mature dose of style to this sweet little girl's room decorated by Ruthie Sommers. I never knew blue could look so good with pink!

And since I love to share, here are some of my favorite blue and white lamps currently available:

Source list (from top left): 1. Isha Table Lamp (Clayton Gray Home; $425). My current obsession. I love the pattern, the height, the lucite base...love it all! 2. Arteriors Alessa Lamp (Candelabra; $399). A navy lampshade is a softer, but equally chic, alternative to a classic black shade. 3. Small Blue Striped Lamp (Emilia Ceramics; $128). If you're house is more hacienda than traditional, but these hand painted stripes would be a great, contemporary (but with that lovely handmade quality) touch to any house. 4. Mandarin Floral Table Lamp (Horchow; $375). Another classic choice; I'd switch the shade out with something a bit more modern to shake it up a bit. 5. Carnaby Hazard Lamp (Jonathan Adler; $225). So I cheated and included this in the turquoise lamp round-up, too...but I love it!! 6. Blue & White Chippendale Table Lamp (Shades of Light; $235). A more Hollywood Glam turn on classic blue and white. Reminds me of China Seas' Java Java fabric. 7. Arteriors Batik Table Lamp (Avid-Home; $262). Not sure how I feel about the pleated blue shade, but the lamp base's shape and pattern are both fantastic. 8. Blue & White Happiness Mini Oriental Table Lamp (Shades of Light; $74.50). A little bit of double happiness at a great price. 9. Dragon Lamp (Modern Dose; $398). The lucite base and neck, together with the navy lining on the lampshade, give this traditional dragon lamp a very modern dose of glam.

What about you? Do you own any blue and white lamps? If so, I'd love to see how you've incorporated them into your decor.

Friday, 7 May 2010

On My Mind...Upholstered Beds

Christina Murphy Interiors

I have a horrible habit of always being one or two projects ahead of myself. Even though I'm currently focusing on pulling together the living room (specifically, window treatments and built-ins -- update to come, I promise!), I can't help but find myself obsessing over my next project: the master bedroom. Once we complete the living room, I'll be tacking our master bedroom, the size and shape of which is so drastically different from our old master bedroom as to require almost an entirely new approach. While we're currently making do with a queen bed I bought in law school, the first item on my wish list is for a king sized mattress -- and an upholstered bed (or at least headboard) to go with it.

I've long been a fan of upholstered beds for their comfort as well as for the opportunity they create to bring in more pattern and color. Enough with the heavy, dark wood furniture suites; let's bring in some softness and color with fabric...and maybe a little sparkle with some fabulous nailhead trim! The bedroom above, designed by Christina Murphy, is a great example of the feeling I hope to crate in my master bedroom redesign. The room is luxurious and glamorous, but still comfortable and restful. The colors and patterns are interesting, without overwhelming the space. I particularly love how Christina pulled the orange and robin's egg blue from the fabric used on the headboard and bedskirt (and I love it when those match!) and use repeated them in the bedding's trim.

Melissa Rufty of MMR Interiors

The art deco shape of this headboard is extremely sophisticated, especially for a young girl's room. But its shape and neutral color ensures that it will transition easily from young girl's room to preteen to teen and beyond. Just swap out the curtain fabric, accent wall and bedding and you've got a whole new look with just a few simple changes.

Phoebe Howard

This might just be the perfect summer bed. I absolutely love the coral bedding with the neutral, textured grasscloth bed. The nailhead trim and sophisticated shape ensure that the bed looks like it belongs more in a Bahamanian plantation home rather than a humble beach shack. Note too the fabulous Baker Studio Marrakech side table with the coral underside: be still my beating heart.

Anne Coyle Interiors

This room reminds me of nothing so much as a modern take on the roaring '20s. There's just something about the lilac velvet and the fur paired with the dark blue walls and gilt frames that makes me think a flapper should be sleeping there. The bed's tufting and sloped arms feel like the bed version of a fainting couch.

Sara Gilbane Interiors

While the shape of this headboard is fairly simple, the gorgeously patterned fabric (which looks like a cross between a suzani print and traditional chintz) completely makes up for it -- as does the coronet bed drapes. Sure, it's a lot of look (and a lot of fabric) but it would definitely satisfy any childhood fantasy about a princess bed -- albeit in a more sophisticated manner.

Ruthie Sommers

Love the shape of this headboard -- it's subtle, but really beautiful. The chalky gray is so rich with the lilac side table and soft blues on the bed.

Lindsey Coral Harper

Another great shape in another all-purpose color. The contrast piping really helps pick out the details in the headboard, the curvaceousness of which is mimicked beautifully in the trim on the shams. I also love that Lindsey didn't go matchy-matchy here as the predominate colors in the bedding are black, white and rust while the headboard is the lovely chocolate brown.

Massucco Warner Miller

The more angular lines, brown fabric and brass hardware on this headboard feel much more masculine to me than most of the rest of these headboards, which is great for couples. My favorite bit about this room though is the fantastic trim on the coral euro shams. I think if I had seen that trim on its on in a fabric store, I would have dismissed it as '70s-tastic. And yet, Melissa Warner makes it look so fresh and modern in this room. It just goes to show you that it's often more about context than the thing itself.

Massucco Warner Miller

Another beautiful bedroom from Melissa Warner at Massucco Warner Miller. The shape of this bed reminds me of those large, overscaled leather beds from Restoration Hardware. The sort of armchair-turned-bed look that can so often read as heavy and masculine. Here though, Warner keeps it light with a buttery ivory leather and it looks magnificent against the metallic golden wallpaper and the coral accents.

Kara Mann

This silvery grey cotton velvet looks so absolutely delicious on this upholstered sleigh bed. The kind of fabric you just can't keep your hands off of. The velvet's texture is also beautifully countered with the silk duvet and pillows. Velvet and silk together sounds positively decadent, and it is, but the tailored, paired back styling keeps the bedroom from drifting into the boudoir. Besides, if there's any place in a home more appropriate than a bed for pure, tactile pleasure, I don't know where that is.

Courtney Giles

Even a solid-colored headboard can make a tremendous statement against a high contrast wall. The higher the headboard, the better in my opinion. This room is also a great example of how black walls can actually make a room look bigger and brighter than it really is.

Mary McDonald

Like everyone else in blogland, I went ga-ga over Mary McDonald's pagoda headboard in her guest house (featured in domino back in 2008). My only criticism is that the moon on the wall looks rather like an off-centered moon atop the headboard itself -- and I find it distracting. I think Mary would've been best advised to scrap the wall art altogether (or keep it to the figures on either side of the bed). That said though, this still ranks high on my all-time favorite bedrooms.

Katie Ridder

I went ga-ga for the shape of this headboard when I first saw it last year. Perhaps my favorite element though is that this bed is both upholstered and spare and architectural. Truly the best of both worlds.

Annie Selke

So here's a shot of my absolute favorite upholstered bed. It's Annie Selke's Salado bed and the headboard version is available through Horchow. Of course, I'm not too keen on the price (especially for just the headboard and that you can't pick the fabric!) so I think I'm going to try and have the shape copied in the fabric of my choice. Right now, I'm leaning towards Windsor Smith's crisp, fresh seersucker.

Thursday, 11 March 2010

Formal Dining Rooms


Earlier this week Cristin posted about decorating dining rooms over at Simplified Bee and it's gotten me itching to start decorating my own dining room (to get a feel for what I'm going for, see HERE). When we first moved in, we managed to paint out the trim on the lower third of the room to resemble wainscoting and paint the balance of the walls a deep blue (Farrow & Ball's Drawing Room Blue), but that's all the progress that's been made so far -- and unfortunately, until my budget recovers, that's all the progress that's going to be made for quite some time.

But that doesn't mean a girl can't day dream, right? In fact, I'd say a temporary cash crunch can be a good thing for designing a room as you're forced to window shop in favor of actually, well, shopping. This forced abstinence allows you the time to really get a feel for what you love most (rather than what you love today or what your budget allows you to buy today). And, when you finally do have the luxury of going out and buying new pieces, having curtains made, etc., you know the market, the trends and what it is you're really after.

So here are a few of my absolute favorite dining rooms, collected over the past few months as I continue to contemplate the transformation of my small dining room into something truly spectacular.

For me, a formal dining space should be exactly that: formal. It should also be luxurious, dramatic and special. After all, these rooms are for special occasions, most of them occurring at night. So I say work with that and go for lots of drama: crystal, gilt, mirrors, silks, velvets, dramatic colors, hand painted wallpapers...you get the idea. If you're looking for a good guide on how to incorporate all that and more without making the room feel overdone or too stuffy, you need look no further than Kara Mann's gorgeous gray dining room (above) that was featured in last month's Traditional Home. I particularly love the silver-leaf finish on the mantle against the Carrera marble surround.

There are those that argue that formal dining rooms are dinosaurs; that the modern family does not need to distinguish between public and private rooms, formal and informal settings. And that's certainly true to an extent, but at the same time I love the idea of the luxury of having a formal dining room. The luxury of having a place at home to celebrate truly special occasions. The type of room that is filled with memories yearound, even if it is only "used" a few times a year (though certainly there is nothing stopping you from using your formal dining room -- and your formal china -- on a regular basis, and I completely encourage this!).

In this dining room designed by Hillary Thomas, I love how the trim and wainscoting is painted out in a high gloss sage green. It's such a great way to modernize very traditional architecture (and the very traditional wallpaper). The glossy green also works well with the dining chairs, which are done in a high glass black with a sage green seat.

Ruthie Sommers

Wainscoting and wallpaper (especially handpainted wallpaper) are two of my favorite design elements for a formal dining room. The sea grass rug and lack of window treatments make this room feel much lighter than many of the others -- and also more approachable. For me, this room is the perfect balance between formality and luxury, on the one hand, and practicality and comfort, on the other.

Christina Murphy

A simple formula for high drama in a dining room is dark bare wood floors, metallic wallpaper and a crystal chandelier. The mirrored insets into the paneled doors is a simple and inexpensive way to add a little extra sparkle and to dress up an otherwise standard feature. I also love the Kartell Mademoiselle Chairs, with their lucite legs and low backs.


Here, I love how the dark slate walls contrast with the high impact turquoise chandelier and hot pink upholstered dining chairs. I think my first inclination would be to pair colors like this with a predominately white backdrop, but Katie demonstrates here how success dark walls with bright furnishings can be. I also like how she kept it from feeling too cave-like by having a lighter colored rug on the floor. This lightness is similarly reflected on the ceiling, which appears to be papered in a subtle tonal damask.

Pastoral murals in dining rooms are very, very traditional. In fact, you can see many fine examples of them in homes in Pompeii. Here though, the brighter colors in the mural and in the fabrics lend a rather whimsical quality to Thad Hayes' space. So much so that it feels almost cartoon-like.

Anyone else remember Ondine from the second season of Design Star? [By the way, is that show ever coming back? I loved it!] In any case, Ondine is back and in the running for Traditional Home's Young Traditional Designer of the Year. Flipping through her portfolio, I fell in love with this dining room. I love the juxtaposition of the almost Medieval architecture with the vibrant pinks. In fact, I'd happily steal that set of Ikat chairs and the hot pink buffet for myself. How fabulous would that look against navy walls?

Nathan Egan is one of my favorite designers for subtle drama. Rooms like the dining room above show that you don't need bold colors or expensive, embroidered wallpaper to make a big impact. I also love how the oversized photograph is hung between the wall and wainscoting. The gesture feels almost haphazard, but the effect is incredibly striking. I also love the large wine barrel chandelier -- sure, it's been trendy, but there's also a nice rusticity about it that works so well with more traditional interiors.

One of my all-time favorite dining rooms, by the near-faultless Suzanne Kasler. While I usually prefer trim painted-out white, the blue lacquer that Suzanne applied to both the walls and trim here is incredibly striking. I also tend to prefer matching chairs (or at least matching side chairs with a pair of larger chairs for the ends), but yet again Suzanne proves here there's no "rule" that I can come up with that can't be successfully broken.

This dining room was featured in a spread House Beautiful did last year on a beach house Annie Selke decorated and I absolutely fell in love with all of it. I love the mix of patterns here as well as the mix of blues. A deft hand is needed for this type of mixing, but Selke is skilled at mixing both patterns and colors in a way that feels very modern, without any of the eclectic-bohemian element that I'm admittedly not a huge fan of.