Showing posts with label Katie Ridder. Show all posts
Showing posts with label Katie Ridder. Show all posts

Friday, 6 May 2011

Wave on Wave


Tobi Fairley's Arkansas home is featured in this month's Traditional Home. While I'd seen many of the rooms before via her online portfolio, I was still excited to see one of my favorite designers featured -- and to see a few "new to me" rooms. Her entryway, with its bold black and white wallpaper is certainly a stunner, but it's actually the Vitruvian scroll molding on the stairs that really caught my attention. What's more, I knew I'd seen it recently in House Beautiful....


With its softer, cooler color palette, this dining room by John Howard (Phoebe Howard's husband) is just about a complete 180 from Fairley's bold entryway, and yet the pattern works just as beautifully here as a subtle nod to the North Carolina home's beach locale.


While the motif has traditionally appeared on architectural friezes, there's no need to restrict the pattern to hard surfaces. In this living room, Katie Ridder creates architecture and movement with draperies edged in Vitruvian srcoll trim.



Want to know more? The pattern is a classic -- literally -- and you'll find it featured prominently on Greco-Roman buildings and mosaics dating back thousands of years. The name Vitruvian Scroll is for Marcus Vitruvius Pollio, a first century B.C.E. Roman architect whose book De Architectura was immensely popular during the Renaissance. And yet, despite its antiquity, the pattern (like greek key, the angular variant of the same scroll motif, which I waxed poetic about HERE) still feels modern and fresh to me. The soft curves of the Vitruvian scroll, however, reads as more feminine, more sensuous. And, since it's not experiencing quite the same level of popularity right now as greek key, it also reads as a bit more unusual.

Monday, 17 May 2010

Sweet Dreams are made of these....


In the spring of 1987, when I was in first grade, my parents moved from inner Houston to its suburbs. Once we settled in, one of the first rooms my mother decorated (with the help of a designer from Ethan Allen, if I recall correctly) was my bedroom. At the tender age of 7, I was allowed to select the basic design elements for my bedroom -- and I remember feeling so very grown-up throughout the process. My color palette? Pink and white, of course! Pink splashed across wallpaper, balloon draperies, bedding and, of course, my very own crown canopy (or coronet), which transformed my antiqued white iron bed into a gloriously feminine, over-the-top confection of pink and white flowers, balloons and stripes (for contrast, natch). While the bedroom didn't exactly see me through childhood, it did last me nearly a decade when, at the age of 16, I finally managed to convince my mom to let me redecorate the room to make it a tad more adult.

Alas, I can't manage to come up with a good photograph of my childhood room, but this collection of perfectly girlie, perfectly pink rooms illustrates the timelessness (and the whimsy) of princess bedrooms for little girls. And, while I can't say that I'd want this look for my own bedroom, there's a part of me that still loves the over-the-top femininity of coronets and lots and lots of pink.



I love the shape of the canopy on this one -- and how it hangs so crisply from the ceiling. Adding molding around the canopy is a great, inexpensive way to add structure to the canopy (loose, flowing canopies have a more casual, island feel). Using a single, bold pattern on walls and upholstery is a classic choice for a bedroom. Sure, it's a very "decorated" look, but it's a guaranteed way to make a statement. Note too how Katie used the print as a contrast welt on the side chair. Brilliant.

Coral and sage green, especially when grounded by hits of black, is a decidedly more grown-up color palette. The mix of florals and traditional monograms with the more exotic ikat and suzani prints ups the sophistication further.

It can be difficult to find a daybed that looks and acts more like a true sofa, but this one's cozy cozy arms really makes this guest bedroom look more like a lounge comfy lounge (which is ideal for the vast majority of us who have only infrequent overnight guests). My favorite touch is the brass nailhead trim, which overlays a slate blue ribbon that coordinates with the wallpaper and primary fabric.

There's a lot here that I love: a classic toile print, an upholstered headboard with a contrast welt, an oversized monogram, blue and white porcelain, and a scalloped pelmet box window treatment. In fact, now that I think about it, it's darn near perfect.

This is precisely the room I would have asked for at the age of 8 if I'd had the budget (and vocabulary) to employ Ruthie Sommers. China Seas' Lyford print on the chair and pillow is a great choice that won't date and will work equally well in a guest room when your little one flies the nest.

There's a lot about this room that's incredibly traditional: the toile, the draperies, the antique daybed, the rug. And yet the orange upholstered chairs and loveseat, despite their shapes, are incredibly modern. It's this dichotomy that makes the room interesting.

In many ways, this rooms feels much more traditional than what I'm seeing from Adler. Maybe it's the gingham print or the antique armoire (albeit painted a vivid yellow). Nevertheless, the lime green lining on the interior of the canopy feels exactly like something the purveyor of Happy Chic would come up with. Yellow and lime green, while still joyful and child-like, ensure that the pink is way more hip than sweet.


This is a great mid century modern twist on a classic canopy. To create a similar, stream-lined look, keep the shape of the canopy rectangular (no fancy scalloping needed) and the print geometric and colorful. Note too how the wall behind the daybed is not swathed in fabric this time and the lining of the fabric coordinates rather than contrasts with the primary print.


Not all little girl's rooms have to be pink. In fact, I'd bet just as many girls list purple as their favorite color as those who call pink their signature. I love how Tobi added the black trim and zebra fabric to ground the space and ensure that it will be just as possible when the Little Princess turns 16 as when she turns 6.

Gwyneth Paltrow's Hamptons' home via Habitually Chic

This room confirms my suspicions that being the daughter of an A-list movie star and a mega-rock star comes with some serious perks. Apple Martin is one seriously lucky little girl to have such a chic bed at the tender age of 6. I particularly appreciate that the pink is very saturated and the contrasting white and yellow zig zags. The monogrammed pillows, in hot pink and a more streamlined font, remind me of something you'd like up at Jonathan Adler. While I think the white walls and white floors is a wee bit sterile, I do like the high contrast between the bed and the rest of the space. If this were a room in my house though, I'd warm the floors up with a flokati or sea grass rug (maybe change it out for the seasons?) to add some warmth and texture.

So what about you? Did you have a canopy or coronet in your childhood room? Do you have one now -- or do you think this look is for kids only?

Friday, 7 May 2010

On My Mind...Upholstered Beds

Christina Murphy Interiors

I have a horrible habit of always being one or two projects ahead of myself. Even though I'm currently focusing on pulling together the living room (specifically, window treatments and built-ins -- update to come, I promise!), I can't help but find myself obsessing over my next project: the master bedroom. Once we complete the living room, I'll be tacking our master bedroom, the size and shape of which is so drastically different from our old master bedroom as to require almost an entirely new approach. While we're currently making do with a queen bed I bought in law school, the first item on my wish list is for a king sized mattress -- and an upholstered bed (or at least headboard) to go with it.

I've long been a fan of upholstered beds for their comfort as well as for the opportunity they create to bring in more pattern and color. Enough with the heavy, dark wood furniture suites; let's bring in some softness and color with fabric...and maybe a little sparkle with some fabulous nailhead trim! The bedroom above, designed by Christina Murphy, is a great example of the feeling I hope to crate in my master bedroom redesign. The room is luxurious and glamorous, but still comfortable and restful. The colors and patterns are interesting, without overwhelming the space. I particularly love how Christina pulled the orange and robin's egg blue from the fabric used on the headboard and bedskirt (and I love it when those match!) and use repeated them in the bedding's trim.

Melissa Rufty of MMR Interiors

The art deco shape of this headboard is extremely sophisticated, especially for a young girl's room. But its shape and neutral color ensures that it will transition easily from young girl's room to preteen to teen and beyond. Just swap out the curtain fabric, accent wall and bedding and you've got a whole new look with just a few simple changes.

Phoebe Howard

This might just be the perfect summer bed. I absolutely love the coral bedding with the neutral, textured grasscloth bed. The nailhead trim and sophisticated shape ensure that the bed looks like it belongs more in a Bahamanian plantation home rather than a humble beach shack. Note too the fabulous Baker Studio Marrakech side table with the coral underside: be still my beating heart.

Anne Coyle Interiors

This room reminds me of nothing so much as a modern take on the roaring '20s. There's just something about the lilac velvet and the fur paired with the dark blue walls and gilt frames that makes me think a flapper should be sleeping there. The bed's tufting and sloped arms feel like the bed version of a fainting couch.

Sara Gilbane Interiors

While the shape of this headboard is fairly simple, the gorgeously patterned fabric (which looks like a cross between a suzani print and traditional chintz) completely makes up for it -- as does the coronet bed drapes. Sure, it's a lot of look (and a lot of fabric) but it would definitely satisfy any childhood fantasy about a princess bed -- albeit in a more sophisticated manner.

Ruthie Sommers

Love the shape of this headboard -- it's subtle, but really beautiful. The chalky gray is so rich with the lilac side table and soft blues on the bed.

Lindsey Coral Harper

Another great shape in another all-purpose color. The contrast piping really helps pick out the details in the headboard, the curvaceousness of which is mimicked beautifully in the trim on the shams. I also love that Lindsey didn't go matchy-matchy here as the predominate colors in the bedding are black, white and rust while the headboard is the lovely chocolate brown.

Massucco Warner Miller

The more angular lines, brown fabric and brass hardware on this headboard feel much more masculine to me than most of the rest of these headboards, which is great for couples. My favorite bit about this room though is the fantastic trim on the coral euro shams. I think if I had seen that trim on its on in a fabric store, I would have dismissed it as '70s-tastic. And yet, Melissa Warner makes it look so fresh and modern in this room. It just goes to show you that it's often more about context than the thing itself.

Massucco Warner Miller

Another beautiful bedroom from Melissa Warner at Massucco Warner Miller. The shape of this bed reminds me of those large, overscaled leather beds from Restoration Hardware. The sort of armchair-turned-bed look that can so often read as heavy and masculine. Here though, Warner keeps it light with a buttery ivory leather and it looks magnificent against the metallic golden wallpaper and the coral accents.

Kara Mann

This silvery grey cotton velvet looks so absolutely delicious on this upholstered sleigh bed. The kind of fabric you just can't keep your hands off of. The velvet's texture is also beautifully countered with the silk duvet and pillows. Velvet and silk together sounds positively decadent, and it is, but the tailored, paired back styling keeps the bedroom from drifting into the boudoir. Besides, if there's any place in a home more appropriate than a bed for pure, tactile pleasure, I don't know where that is.

Courtney Giles

Even a solid-colored headboard can make a tremendous statement against a high contrast wall. The higher the headboard, the better in my opinion. This room is also a great example of how black walls can actually make a room look bigger and brighter than it really is.

Mary McDonald

Like everyone else in blogland, I went ga-ga over Mary McDonald's pagoda headboard in her guest house (featured in domino back in 2008). My only criticism is that the moon on the wall looks rather like an off-centered moon atop the headboard itself -- and I find it distracting. I think Mary would've been best advised to scrap the wall art altogether (or keep it to the figures on either side of the bed). That said though, this still ranks high on my all-time favorite bedrooms.

Katie Ridder

I went ga-ga for the shape of this headboard when I first saw it last year. Perhaps my favorite element though is that this bed is both upholstered and spare and architectural. Truly the best of both worlds.

Annie Selke

So here's a shot of my absolute favorite upholstered bed. It's Annie Selke's Salado bed and the headboard version is available through Horchow. Of course, I'm not too keen on the price (especially for just the headboard and that you can't pick the fabric!) so I think I'm going to try and have the shape copied in the fabric of my choice. Right now, I'm leaning towards Windsor Smith's crisp, fresh seersucker.

Friday, 30 April 2010

Lacquered Walls: A Maximalist's Dream

Now that I've blogged for a while, I've started to see trends emerge in my tastes and interests that I don't think I would've noticed without the virtual paper trail. One of the biggest things that I've come to realize about myself is that I tend towards maximalism -- not just in design, but in life. I'm a big believer that bigger is often better, just as more is often more. I've long been a fan of lacquered furniture and accessories. The glossy, almost liquid-like sheen is such a wonderful counterpoint to wood, fabric and other earthier elements. It's also supremely glamorous, and I can't help but love a little bit of sparkle and sheen in just about any room.

So why not take this love of lacquer, that I can only assume many of my fellow design enthusiasts share as the trend seems to show no sign of slowing down, and take it one step further? Let's maximize it and lacquer the walls. Sure, a true lacquer finish on your walls is time and labor-intensive -- and expensive. But the look can be approximated with high gloss paint (though to get a truly smooth finish you'd be best advised to skim coat your walls first unless they're already in pristine condition). High gloss or lacquered walls are particularly appealing in darker, more intense colors, like this gorgeous cobalt blue, which is incredibly striking against the black and white fireplace.

If there is a true king of lacquer (do you think he'd mind if I dubbed him the "King of Shellac"?), then it has to be Miles Redd, the designer whose maximalist take on traditional decor has been incredibly influential in the resurgence of high style, color and Chinoiserie in interior design. And I think this hallway is a tremendous example of that. All the individual elements of this entry are incredibly traditional, from the black and white marble floors, to the blue and white porcelain to the intricate moldings and yet it feels so modern because the volume on everything is turned way up. The bold blue lacquered walls pop against the graphic floor and the hits of red in the lampshades and door (oh that door!) are such a strong, primary contrast to the blue.

Miles Redd

This room is a quieter, softer version of Miles' style, but it illustrates how you don't need a really bold color to make lacquered walls feel like a statement. This medium blue-gray, taken all the way up to the ceiling, creates an underwater, lagoon-like effect in this salon, while the larger white double sofa floats softly in the center of the room, like a cloud. Miles' signature zebra rugs, however, keep this room from putting you to sleep.


Miles Redd

Another great living room from Miles. The sophisticated, rich color of Farrow & Ball's Hague Blue is really at its best in a high gloss. Where the light hits it, the color reads as a peacock blue, while in shadow the gray undertones give it a quieter elegance.



Decorator Nick Olsen has a very similar decorating style to his mentor Miles Redd, but with a bit of English granny thrown in for good measure. In the most recent issue of Lonny, Nick talks about wanting his small one-bedroom Nolita apartment to feel like an Opium den. Well, mission accomplished. The red glossy walls, black chintz sofa and bold painted floors are a wonderfully modern spin on a 19th century London opium den.


Melissa Rufty of MMR Interiors via Matters of Style

In my opinion, eclecticism (of the type heralded and popularized by domino) is just another type of maximalism, and this room does it beautifully. I adore all the colors, patterns and layers; it feels curated more than decorated.

Canadian House & Home, January 2010

When this house was featured in Canadian House & Home back in January, I had mixed feelings about it. On the one hand, it was colorful, original and had some very fun elements (like that wallpapered ceiling) on the other hand, it would date quickly and had a few tacky moments. But ultimately, I appreciate the risk taking of shellacking your walls in orange and papering your ceiling in metallic paper. It's bold and not to everyone's taste, but it's fun and I always respect a sense of humor in design.

"But Averill," you say, "maximalism just isn't my speed. Can lacquered walls work in a more minimalist interior?" The answer is an resounding "yes!". In fact, just follow Steven Gambrel's lead (never a bad idea) and incorporate lacquered walls into quieter, more masculine interiors for an unexpected bit of shine and glamour.

Steven Gambrel

This kelly green feels like an unexpected choice for a hallway, but it's such a great contrast to the otherwise neutral palette and traditional architecture. It also creates a certain moodiness that Gambrel so often displays in his work that I find very appealing.


Steven Gambrel

I love a dark, cozy den and you can't get cozier than this one. The goldenrod colored ceiling is a great touch here. It's both dark and warm enough to keep the black walls from feeling too stark and it ties in beautifully with the carpet and leather sofa. While I like the chalkiness of a matte black wall (especially if you're using an off-black or deep charcoal instead of a true black), I really do love a glossy, true black wall. The sheen reflects so light while the dark walls recede into the background. It's a wonderful way to make a room feel larger and cozier at the same time.


Studies seem to be the frequent beneficiaries of lacquered walls. Perhaps it's because they're often smaller, less frequently used rooms that can handle the high sheen and bold color. This coral color is such an unusual choice for a study, but in high gloss it reads as more sophisticated than beachy. I particularly love how Katie picks up on the color in the suzani print throw pillows, which ties the white couch in with the chairs and walls.

Elle Decor

I love the raisin-colored walls in this study. It's the perfect backdrop for the salon-style art hanging and looks wonderfully fresh with the black and gold writing desk and the animal print fabrics.

I love the contrast of the shiny walls with the velvet upholstery. Textural juxtapositions are a great way to create interest without making bold color or pattern statements. The acrylic coffee table brings in the smooth, polished finish on the walls into the furniture grouping and helps tie everything together.

Rob Southern

While this Houston entryway (featured last year in House Beautiful) looks like it has black lacquered walls, it's actually a glossy vinyl wallpaper (Phillip Jeffries' "lacquered walls" wallcovering in eyeliner), which is a quicker (and cheaper) solution to a true lacquer finish. According to the designer, it's also more kid-friendly.

And finally, another photograph that I wish I could credit to the talented designer but can't (anyone? Bueller?..Bueller?). You don't frequently see white lacquered walls (furniture and accessories, yes, but not walls) but I think they really work well here in this more modern interior. And I absolutely love the finish allows the light from the wall sconces to positively glow. The touches of turquoise in the cushions on the dining chairs (which are a beautiful shape in their own right) and in the equine statue on the coffee table add a hit of fun and color to the otherwise neutral and more grown-up space.

Tuesday, 30 March 2010

Passion for Purple

Can I just state on the record how excited I am that purple is starting to creep it's way back in style (both in fashion and in home decor)? I've long been a fan of purple, in all its many forms (though particularly in its richer, jewel-tones of plum and aubergine), and it's been frustrating trying to incorporate the color into the decor of our new house as there are precious few options in the hue. But, as I see more and more purple popping up in interiors magazines, I feel confident that is in the process of changing and that in a year or so purple will be as prevalent as yellow and turquoise are today.

When I saw this gorgeous guest room designed by Jamie Drake and featured in the most recent Traditional Home (see HERE to check out the entire house) I was instantly in love. I absolutely adore how Jamie so beautifully incorporated several shades of purple. The fact that the purples don't precisely match makes the room all the more appealing to me and works particularly well with the Moroccan touches (that trio of lanterns above the bed and the mirror featured in the reading nook above are particularly eye catching). I also like the lavender grass cloth, which brings so much texture and visual interest in the room. Drake papered the low, slanted ceilings as well, which is a great way to help visually erase those awkward angles.

This bedroom was featured on the cover of Sixx Design's recently published book Downtown Chic (which is a great read by the way) and for good reason: it's gorgeous. I love the gorgeous fabric used on both the bed and curtains, especially juxtaposted against that rug.

While purple isn't the dominant color in this room, it's certainly the pop of color needed to really turn up the volume in this otherwise neutral room. Again, there's a vaguely Moroccan feel to this space and I think the color works really well with the rich golds and browns the style often incorporates. Moreover, the intricate patterns and fretwork that are hallmarks of Moroccan style are a natural pairing to purple as purple only serves to heighten the sense of luxury, drama and richness that this look is famous for.

I love this office designed by LA designer Kishani Perera. Again, lavender walls act almost as a neutral with bolder iterations of purple working as accents. The chartreuse is a nice balance to the purple. As yellow-green is the opposite of purple (or red-blue) on the color wheel, the pairing is particularly attractive and a fresh, modern take on the traditional purple-yellow.

Just a pretty, pretty room. The modern art helps take the sweetness off while the giant arrangement of cherry blossoms lends a less structured, more organic feel to the traditional room.

Again with the Moroccan vibe and chartreuse pairing (okay so the headboard reads as a little more of an apple green, but still!). I love the deep, rich aubergine of the walls; the cocooning effect of dark walls in a bedroom can be incredibly calming and it's a great backdrop for the brighter headboard (and it's incredible shape!).

Chartreuse and purple strike again, this time in the very capable hands of Amanda Nisbet. My favorite feature in the room is the bolder plum band right underneath the crown molding. Nisbet repeats the crispness of this trim in the trim on the white linens. Such a great accent on the space and a great alternative if you don't want to wash the walls in a dark color. I also like how Amanda has hung the art straight up to the ceiling and around the headboard, which is incorporated into the arrangement as art in and of itself.

The wall colors in this bedroom are masterful -- and easily replicated by painting the same color in three different shades. To maximize ceiling heights, paint the darkest color on bottom and the lightest on the ceiling. Since the walls should be the stars here, Kishani rightly kept the rest of the room relatively neutral, with fresh white bedding and white furniture and accessories. The pale lavender rug echoes the pale lavender on the ceiling and helps create a pleasing symmetry.

Again, a predominately neutral space with purple accents. In reality, the only purple items are the modified wing back chair and the lamp shade, with the rest of the room awash in whites, gray and beiges.

Love, love, love this office. The walls are so gorgeous and, while I usually prefer white molding, the nearly tone-on-tone lilacs are spot-on as a greater contrast would have made this way too busy. The zebra rug is a great addition here, too, as it ups the glam factor and adds a jolt of pattern that's a nice contrast to the grid created by the molding.

So what about you? Do you have purple in your home? If not, would you consider incorporating some into your design?